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Author Topic: Zara Automation Software  (Read 741 times)
Tom Wells
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« Reply #10 on: October 29, 2009, 05:29:55 AM »

Zararadio is KING at least for my fm station. It does the job I want, there are small problems with it, I have tried and tried to fix, LIKE... Trying to run a dry liner in front of a song, not a sweeper, just a dry liner, it will jump to the next element, and cut off the ending of the liner.. Other than that, a great automation program.
Again it's got its bugs, but it works for the most part.
I set my overlaps and fades to one second, and if a liner gets clipped, I add tailspace silence to the liner audio file until it doesn't get
clipped, or in some cases, has a natural speaking pause left in, so the next sound is in proper cadence.
When it's good it sounds like a board op on 5 espressos.
It's fun to give the 121 hour dial a good shuffle <ctrl k>, and see what new hilarious trainwrecks develop.
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Valparaiso Technical Institute 1982, Analog engineer, AM pt 15, inventor with 2 issued patents, former SW pirate. Now offering antique radio repair/restoration and alignment.  Stop just wishing that old radio worked!  Conversion to newer tube types, audio improvements,  etc.
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mattthepm
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« Reply #11 on: October 29, 2009, 01:06:52 PM »

I would disable the overlap feature and add an '~n' to the name of the file, with 'n' being the amount of time for overlap into the next cut.

For example

StationID1~3.mp3

In this case, Zara will overlap the audio based on the amount of seconds before the end of that audio file.

So, this station ID will go to the next event 3 seconds before it actually ends.

This is handy for music tracks that have several seconds of silence at the end and you want to customize the segue into the next event without having to rely on the global overlap setting.

If it is a dry liner, you could do the following.

Dryliner~0.mp3.

This way, any dry liners will play in their entirety without cutting off the end of that liner.

You could almost do pseudo voice tracking with this method. . say you wanted to back announce a song up to the post. . you could disable the global overlap and insert the amount of seconds you want before the vocals started in the song in the voice track file. 

Hope this makes sense (and I hope I got it correct. lol).

-M
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Tom Wells
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« Reply #12 on: October 30, 2009, 12:19:51 AM »

I should have pointed out that normally, ALL my files are very, very close-clipped, heads and tails, so the 1/2 second of fade/overlap
ends up having no discernable pause OR audible overlap.   The tiny bit that does occur is just what we've always  heard on even the  biggest stations, so it sounds just right to me.  The few tracks I have in the system with too much end silence get on  my nerves, and I need to go back and tighten them up.  When they run, it just sounds like any old webstream, NOT radio.
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Valparaiso Technical Institute 1982, Analog engineer, AM pt 15, inventor with 2 issued patents, former SW pirate. Now offering antique radio repair/restoration and alignment.  Stop just wishing that old radio worked!  Conversion to newer tube types, audio improvements,  etc.
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rickradio
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« Reply #13 on: November 01, 2009, 12:45:34 PM »

I would disable the overlap feature and add an '~n' to the name of the file, with 'n' being the amount of time for overlap into the next cut.

For example

StationID1~3.mp3

In this case, Zara will overlap the audio based on the amount of seconds before the end of that audio file.

So, this station ID will go to the next event 3 seconds before it actually ends.

This is handy for music tracks that have several seconds of silence at the end and you want to customize the segue into the next event without having to rely on the global overlap setting.

If it is a dry liner, you could do the following.

Dryliner~0.mp3.

This way, any dry liners will play in their entirety without cutting off the end of that liner.

You could almost do pseudo voice tracking with this method. . say you wanted to back announce a song up to the post. . you could disable the global overlap and insert the amount of seconds you want before the vocals started in the song in the voice track file. 

Hope this makes sense (and I hope I got it correct. lol).

-M


One thing I wanted to add:

You DON'T have to put the ".mp3" at the end of the file name.  Just the tilde (~) and number will do, e.g.,

The Boys Of Summer~9

That number cues the system to start monitoring when the audio gets low enough to fire the next event.  But you also have to set the volume level at which the system will fire, too.  This is under "End of Song Detection" on the Options window.  I have the FM set at -4db, and the AM at -6.  So if you have a song set to fire the next event at, say, ~17, but the song is deemed too loud based on the settings you gave it, it will wait until the audio level drops to where you set it.  Conversely, if the song is lower than the setting you programmed, it will fire at the number.  The number after the tilde (~) is only where the system starts monitoring the file.
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Professor Al
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« Reply #14 on: November 17, 2009, 11:48:39 AM »

If you're running linux, Rivendell is worth the effort to get running.  It is a very feature rich system that just keeps getting better with each release. 

I use Rivendell exclusively, 5 days a week, in a pro environment.
It was written under SUSE Linux and may work better for you there than under Ubuntu.
P.A.
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Bongwater
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« Reply #15 on: November 17, 2009, 07:36:34 PM »

If you're running linux, Rivendell is worth the effort to get running.  It is a very feature rich system that just keeps getting better with each release. 

I use Rivendell exclusively, 5 days a week, in a pro environment.
It was written under SUSE Linux and may work better for you there than under Ubuntu.
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AWW....Damn! You mean I've been trying do all this for a Ubuntu system that NEVER runs Rivendell for NOTHING?

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JamieD
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« Reply #16 on: November 19, 2009, 04:59:38 AM »

If you're running linux, Rivendell is worth the effort to get running.  It is a very feature rich system that just keeps getting better with each release. 

I use Rivendell exclusively, 5 days a week, in a pro environment.
It was written under SUSE Linux and may work better for you there than under Ubuntu.
P.A.

I run it under SUSE as well, but i was pointing out that ubuntu .debs do exist if that is what you prefer.  They are well supported and it is easier to install than from the RPMs for SUSE.  There are several people running Rivendell under Ubuntu on the Rivendell mailing list.
 
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Bongwater
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The Shadow Lord Of NW Radio.......


« Reply #17 on: November 19, 2009, 03:11:51 PM »

Where are they? I love Linux, but this compiling stuff and installing things from .rpm and tar.gz files gets old......
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JamieD
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« Reply #18 on: Yesterday at 06:17:06 PM »

Where are they? I love Linux, but this compiling stuff and installing things from .rpm and tar.gz files gets old......

Alban Peignier maintains Ubuntu .debs.  The latest is available here. http://blog.tryphon.org/alban/archives/2009/08/26/rivendell-152-packages-for-debian-and-ubuntu-with-jaunty-support/
You have to add the debian.tryphon.org repo to your sources and then it can be installed with apt-get.  There are instructions on how to install and get your first audio on Alban's Blog.   The Rivendell mailing list is the best place to get help if your having problems.
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