skyrocker
rimember
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Posts: 106
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« Reply #3 on: November 20, 2007, 12:39:05 PM » |
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Yes, Jack, I think this fits nicely into the Jocks As Artists dialog. Radio jocks CAN be artists. Not all aspire to it. Hy Lit was such an all encompassing communicator, the word "artist" seems like --not enough.
In earlier days, there were wonderful guys on the air all across the country. I remember wanting to hear them all, but very thankful for the opportunity to have spent on both coasts and comparing. The east coast guys were generally more reserved, the west coasters were more relaxed in nature -- both equally entertainging.
I remember Hy Lit, Murray The K, Joey Reynolds and so many more on one side of the States, then, when my father was transfered to Travis AFB, I heard San Francisco radio with Casey Kasem, Buck Herring, Don Bowman (sp), and eastern transfers Tom Mitchell, Russ The Moose and Tommy Saunders to name only a smattering.
Then, a remarkable thing happened. Format became credible and for many DJs the garden hose was squeezed tight; adlibs and comments were confined, to say the least. The broadcasters who had no motivation to work within those constrictions felt cut off. The 'artists' came through and managed to make those formats sparkle. To hear Don Steele was life changing. Same for Hy Lit.
I mark the passing of Hy along with Dr. Don (best funeral I've ever attended) and that wonderful era of music broadcasting where entertainment was the mutual goal and it was a team effort. Seems like you and I seek out those sticks that still care about things like that. (That's the artist in you making you do that.)
Whatever the station, wherever we are, one thing remains a constant-- it's still Pure Magic when you crack the mic, ain't it?
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